His apprehension juxtaposed with Paxton’s ( Jay Hernandez) enthusiasm allows Josh to be perfectly painted as our potential survivor, which makes it all the more shocking when he dies early, jolting the entire film. In the film, Josh ( Derek Richardson) is the rational one of our three protagonists, acting as the audience surrogate. Nowhere is this more prevalent than in Hostel, a movie that, among the blood and guts, explores the reality of murder tourism and the problems with the survival tropes the genre has grown so familiar with. However, disregarding Eli Roth's work as gore for gore's sake means missing the intricate detail that allows his work to portray poignant commentary on both the horror genre and society itself. Roth is renowned as one of the pioneers of the early 2000s "torture horror" subgenre, with his movies, including Cabin Feverand The Green Inferno, featuring extensive guts and gore. Eli Roth films are a staple of 21st-century horror, and his new movie Thanksgiving proves that he knows the genre inside out.
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